Sunday, 30 August 2020

Fingerloop braiding

 Over the summer I have realized that the most correct cord for me to use on my 16th century gowns should be made by fingerloop braiding. Lucet cors had gone out of fashion by that time. I have tried to follow instructions on fingerloop braiding, but I hadn't understood them. Then I found this video about an easier way of doing fingerloop braiding, and it really was easy.


I think I picked up the movement of the fingers within just a few turns, and then I could do it while watching stuff on the computer.


I worked in my kitchen. My kitchen table turned out to be perfect to create the loops around it's ending, and I could tie the loops to my kitchen aid. I could also put the loops down on the table, and then continue to pick them up later. The little metal thingies were used when I stopped overnight and I wanted to make it easier to keep the loops apart.

Now one thing I noticed straight away is that fingerloop braiding hurts my shoulders. I get this after a while when doing lucet cords as well, but then only in one shoulder. Fingerloop braiding is slow and I would not be able to do it all in one go, due to the shoulder pain.


For this test cord I used heavy linen thread. It wore out and one of the loops broke. Thankfully it broke at the top of the loop, so when I tied it together the knot didn't end up in the middle of the braid. The knot made this loop shorter than the others, and it turned a bit fiddlier to work after that. The video tutorial had the same problem, so you can see how she worked it out.


I continued, but after a while the knot on the broken loop broke as well, and since this was a test cord I didn't feel like continuing. So this is the finished fingerloop braid. To finish it I took the bows and tied them into a simple overhand knot.

So my impressions of fingerloop braiding compared to lucet cord.

It was easier to pick up this method of fingerbraiding than it was for me to learn to lucet. The finished fingerbraid cord is very strong and stiff, while lucet gives a cord that is much springier. 

It is possible to do a very long lucet cord, while the fingerloop braid is restricted to how far you can stretch your arms out to tighten then braid. If you have a friend that can help you it is possible to make longer cords. I don't think it's a coincidence that a lot of medieval manuscripts that show fingerbraiding show two people working together.

When doing lucet cord it's possible to bring it with you, I've been working my lucet while watching sports and listening to lectures, while the fingerloop braid needs a fixed spot when you work it.

With fingerloop braiding it's possible to work with colours and different techniques to make beautiful patterns, and even eyelets, while with lucet you are basically stuck with just one piece of string.

This very thin cord that I made is thin enough that I think there would be a risk for it to cut into the fabric if I used it to lace my gowns and kirtles. I need to find a yarn or thread that is a bit thicker than my linen thread, and I need to find a friend that can help me make a really long cord for the lacing, but I definitely think if I get those then I rather use fingerloop braiding than lucet for my cords.


Friday, 28 August 2020

Star Wars Celebration in the back mirror

 When this year started my plan was to spend this week in Anaheim and having fun at Star Wars Celebration. This headline of this blog is that it's about Star Wars and historical costuming, and this year I have hardly posted anything Star Wars. There is a simple reason. With everything being cancelled I have realised that for my cosplay projects I really need an event to make them, while it's easier to keep me motivated with historical projects even if I don't have anything particular planned for them.

Anyway I feel like a bit of retrospective, so here are my favorite Celebration photos that I have found here on the blog, I haven't found any from C3 in 2005 and C4 or CE in 2007, they were saved on photobucket and have been lost from the web.

My cancan trooper from 2010 and 2012 is the biggest success I've ever had with a costume at a Celebration.




2013 in Essen, and the joy of finding another A-wing pilot. 

The tusen ladies are also from Essen, I actually sold my headpiece on the convention, but still haven't built my new one.

Anaheim 2015, and I finally made my dream gold handmaiden costume



A wonderful part of Celebrations is to team up with people who costume the same costume as you.


London 2016 was my first Running of the Hoods, and I was made a meme

Celebration is mostly about hanging out with friends though

My Tudor Leia made me have a bit more fun with costuming and doing cross-overs insted of perfect screen accurate things.

Orlando 2017, and the fun thing is last time in Chicago me and Holly recognized each other by our hair colours!

Me and Ryan had matching moustaches for the Running of the Hood

It's something special to gather so many SW fans in one place. Nowadays I feel that the huge group photos are a bit too much of a hazzle and I only do them if they don't clash with anything else.

The Cloud Riders group in Chicago 2019. I really should finish up my Enfys Nest costume, and seeing this photo inspired me for it.
This is probably the biggest Nordic Garrison group photo we have managed on a US Celebration


As much as I love my NG/NB people it's even more fun to meet up with the people you only meet at a Celebration, like Jenna (Song of Amazon)

It is fun looking back at all these photos. I also see my own costuming journey, where I think I have moved on a bit from making a new costume for every Celebration, and more doing my own thing. Still with two years to go until the next Celebration I will probably come up with something new to wear. It's also a fact that I have gained so much weight that I can't use many of the costumes that I'm wearing in the photos above.


Me and David, my convention travel partner since 2004 was at our classiest at the 501st party in Anaheim 2015. He said he was going to bring his top hat - well I didn't want to feel underdressed

Here are links to my Celebration reports that I've posted on this blog

2015

2016

2017

2019


Wednesday, 12 August 2020

I have a gown

 After several days of slowly resewin the skirt to the bodice of the 1520s gown, I now have a gown.


It fits really bad on the dressform since it'sjust pinned shut, the dressform has also lost its hips and is set to a much shorter height than myself. The fabric isn't going to pool quite as much when I'm wearing it, but it is going to be a monster to hem.

It also felt really good to try it on and have it fit. When I realised that the bodice was too long I got quite crushed and was afraid that the end result would not be worth all the time and money that I have spent on it. Now when I tried it on it felt a lot better, and I have my energy back for the project.

Now I'm going to let it rest for a while and then I have only three moments left, reattaching the lacing strips, adding the border around the neckline and then the hemming. I'm hoping to have the whole gown finished before the end of August.

One reason why I really want to finish the gown is that at moment I'm really excited about making the hood with the gold embroideries for the gown, and I can't start on it until I've finished the gown.

Sunday, 9 August 2020

I have been working on the 1520s courtgown

 I have been posting about so many other things over the summer, but I have been working on my 1520's court gown as well. The work has been slow though. This is a tendency that I have for any big project. When it's time to finally start assemble it all into one piece, well then I get worried that it won't look good and that I will ruin all the hard work (and money) I've spent. As such I have made some stuff here and there, but now I feel that I really want to finish the gown.

In my last post I had finished the upper sleeves. The lower sleeves where done similarily, but now I also added a cuff of brown brocade.


The brocade is a reproduction of a Spanish renaissance pattern. I chose to work with a polyester brocade here, the silk brocades were simply out of my price range. I also only 1 meter of the brocade, so I try to use as little as possible. That means that I made the cuffs a bit tighter than I had planned at first. I would have preferred to have them fanning out over my hands, but once cut is cut and I can't remake that.

The last step was to make lacing holes at the ends of the sleeves so that I can tie the upper and lower parts together. Lacing holes are not my favorite,but it was so much easier to make them in the silk velvet and linen lining, compared to the heavy linen that I used for my lacing strips.

Then I attached the upper sleeves to the bodice with small back stitches. Now it was time to attach the bodice and the skirt.

I first attached the skirt to a waistband of heavy cotton tape. The opening is going to be in front, so there I made a couple of extra pleates on each side, I'm hoping that will hide the opening in the folds of the pleats.

The finished bodice is then attached with small whipstitches to the skirt, making sure to catch both the skirt fabric and the waistband. When I had spent a day doing this I tried on the gown, only to realize that the bodice was way too long with the skirt attached. Simply put I felt really fat when looking into the mirror, because the waist seam hit me where I'm at my biggest around my tummy. So it was only to rip up a days work, shorten the bodice and start again.

At the moment I'm attaching the skirt again, and I'm only hoping that I did get the measurments right for the bodice this time, since I'm pretty sure that I won't be able to redo it again. The seams leave marks on the velvet that I can't get away. I also ripped away the lacing strips and want to reattach it further in on the bodice, to make sure that the center front edges close properly, without any visible lacing between them.

Thursday, 6 August 2020

What I need before events start again

This summer all the big events have been cancelled but my trips up to the viking camp has been good to figure out what I need in my gear to be comfortable. I will not talk about tents here, it's on my list but I will be able to go without them, that's also a much bigger investment than these things.

- A wool nightgown
As of now I change into modern wool underwear for the night. It's comfortable, but it would be nice to wear something more accurate, not the least if I want to go up in the night, and when going up in the morning.


I'm thinking something like a Herjolfsnes dress, or another simple gored cote. This would also give me a dress that would work fom Viking Age and up until the 16th century for a general medieval look. A roomy overgown can also easily be slid over the head for extra warmth in the winter.

A warm cape

I have a tendency to get cold in the evenings, so I need something that can keep me warm, and is bigger than my small red gollar.

For my courtgow I need to make this cape,and I'm thinking about doing a version in wool as well just to keep warm.

A short sleeved wool dress
I have my longsleeved green gown and my sleeveless kirtle with detachable sleeves. Now I feel that I need a shortsleeved dress to have all available options. This would also be the dress that I want to use in the winter and for physical stuff, so I wouldn't line it with linen but keep it as a pure wool gown.

I have already picked out the colours for this dress, I want it to be pink with wine coloured details.

I need a pair of bigger shoes. I like my shoes, but I can't fit my hose in them, so I need to buy a pair of shoes that are bigger, and I'm also thinking that they should go a bit higher up like a boot, so that I can use them in the winter when it's snow. Then I would have my current shoes for summer and a pair of cold weather shoes.

I also need some boring househould items like linen towels for when I'm cooking and don't want to use modern cotton towels. A nice big linen bath towel would also be nice to have.

These are enough projects to keep me occupied well into next season.

Monday, 27 July 2020

Medieval baking

Bread is an interesting subject. For the medieval person the saying "our daily bread" was totally natural, most of the energy intake simply came from bread. In essence bread is simply flour and water that's been heated up to become firm. There are so many variation on bread though, and recently I got curious about experimenting with medieval bread baking. In Swedish original sources, like food inventories at castles, there is always a difference between "herrebröd" - the lords' bread and "svennebröd" - the servants bread. In general it says that the finer bread was made from sifted flour, while the servants had to make do with bread from coarse and unsifted flour. But what kind of flour did they use?

Since I live in the middle of Sweden, well this is where it gets tricky if I want to recreate a bread that could have been eaten in my region. Wheat was a luxury, due to the climate only small amounts of wheat were harvested, and that was in the south part of Sweden. Barley was the most common crop in the north of Sweden well into the 20th century, since it's possible to grow it here. Rye started to make inroads into the medieval farms, but when looking it up it seems as if rye was harvested up to to around Lake Mälardalen. The people working at Västerås castle in the first decades of the 16th century were mostly supplied with bread made from rye. It is known that the area around Falun mine, so where I live, had to import food to supply the comparatively large population here, and my guess is that even if barley was harvested locally it was mostly rye that was imported.

So in the choice of flour for my medieval bread I could use wheat, rye or barley. They have very different qualities when it comes to baking bread though. The region where I live is still sometimes called the "crisp bread belt", the reason is simple barely can't be used to make nice soft loafs of bread, instead you make the thin and hard crisp bread from it. Since the inventory from Västerås talks about rye and wheat, I decided to work with those flours instead.

regular wheat flour, a mix of sifted rye and wheat flour, coarse rye flour
In order for the bread to raise you also need a leavening agent. All the modern cookbooks that offer medieval recipes that I've seen talk about the use of sourdough for the leavening in the Middle Ages in the Nordic countries. It is worth noting that there might be a lot of geographical differences within Europe as to what kind of leavning to use. Even if it's later Townsends has an episode on 18th century cooking talking about how sourdough was not used in the references that they have found, which are mainly in English, at the same time though when reading the Kajsa Warg's "Hielpreda i hushållet" in Swedisn from the 18th century she talks about making bread from sourdough. My secondary sources say that the kind of yeast you use for beer or baking yeast was not available here. I decided to go for sourdough, and thankfully you can find sourdough startes in some largers supermarkets so I could skip that step.


On the back of the package of the sourdough starter there was a recipe, I used that quantty of water, but nothing else from the recipe. Most modern recipes, even those saying they are historical, add extra fresh yeast to the dough, but I went with only the sourdough. The top metallic bowl is for the servants' bread. For that I simply just used the coarse rye flour, water and 1/3 of the sourdough packet. The dough was really hard and compact, no matter how much I needed it. This is what I suspected, since the rye doesn't have the same gluten content that makes wheat flour so great for baking.

For the lords' bread I used the mix of 60 wheat flor and 40 sifted rye flour that you can buy (rågsikt) and 2/3 of the sourdough. Inspired by a recipe from a Danish cookbook from 1616 (transcribed into both Danish and English) that makes a bread with sourdough and mentions several spices I also added ground aniseed and caraway seeds and about a table spoon of honey. This behaved much more like a regular bread dough and it was nice and soft to knead it and feel it starting to become elastic.

Both doughs were set to raise for an hour, then turned and left for another hour. Then it was time to turn them into bread shapes. The servants bread was still very dense and compact, it hadn't raised at all. So I baked it into a fairly thin round shape, similar to a crisp bread but it was so dense that I couldn't get it quite as flat as a crisp bread. The lords' bread was baked into four smaller round shapes.

For the baking I used 200 degrees for the servants's bread, for the lords' bread I put it into the oven at 250 degrees to form a very hard crust and then lowered the temperature to around 220. Both breads were soft and nice straight from the oven when they were warm, but got hard and chewy when they got cold. The people who tasted it claimed that both tasted really good, especially with butter on them. There were jokes about the servants' bread, similarities with the Discworld dwarf bread and possible use of it as a projectile weapon.



The lords' bread is very similar to what I imagine a medieval daily bread would be. It can be used as a plate, it can be softened with liquids and used to scoop up soups and drippings.  It is also pretty similar to the fairly flat shape of bread you can see in medieval images.

Even if I'm happy with the lords' bread, I don't think the servants' bread is something that would have been handed out from a castle kitchen. Did they maybe add in some wheat flour to the coarse rye, just to make it easier to bake? Or did they use a finer rye flour than I did, to make it more similar to a modern dark rye bread? For now I have a lot of flour in my pantry, but I would like to do this kind of bake again and then I would switch the premade wheat/rye mixed flour with my own mix of spelt/dinkel wheat, which is closer to the medieval wheat, and fine rye flour. And I would try and make the servants' bread from fine rye flour instead of coarse rye flour.

The inspiration for the bread baking came from an article about the food inventories of Västerås castle 1517-1520, and I have written more about that article over at Historiekullan (in Swedish)

Sunday, 26 July 2020

An evening in the woods

In January our group of 1520's enthusiasts had our celebration of Sten Sture's leg. We made so many plans for the spring and summer and what we would do. Well about a month later COVID came and everything got cancelled. Last weekend we met up again though and had a small feast outside in the forest. It was great meeting up again and have fun in 16th century clothing. I like being a viking, but the 16th century is where I feel most at home when it comes to reenacting.


We started off the evening with axe throwing and "parrot shooting", which was traditional when the original S:t Örjen's guild (the local St. George's guild) met for feasts. I like this photo since it actually looks like I have an idea of what I'm doing. I did hit the parrot target, but mainly because it was big, really close and I had three tries. The photo also shows the fit of the bodice really well, it's not usual that I have photos with my arms lifted.


The guild feast was a reason for me to experiment with bread, and I brought it with me. Comments were made about dwarf bread and the possibilty to use the bread as a projectile weapon, but they say it tasted good.


The rest of the food was done on the grills that were set up.


I wore my mustard kirtle with unbleached smocked shift and apron, which I think is the most suitable for a Swedish woman in the region. It got colder so I also wore my gollar and on my head I used my newest wulsthaube, that I just realised that I haven't written about. I love how the colours of the outfit came out in this photo.