The Seatoun 1916 skirt

 Did I have the time to thrown in a random project last month? No. Could I stop myself when Leimomi Oakes of TheDreamstress and Scroop Patterns asked for pattern testers for a mid-1910s skirt? Also no. I already have the Scroop Patterns corset, petticoat and blouse for the time period and this would be perfect to get a whole outfit finished. The fashion 1915-1917 with the crinoline revival and swishy skirts is probably my absolute favorite historical era, after all it's no coincidence that I modelled my wedding gown after it. 

Leimomi said that it took her around 4,5 hours to make the skirt, so I figured it would a fairly straightforward project, and it was. It would have been even easier if I had chosen another fabric. I used a very dark navy herringbone twill in cotton, and it was so dark that all the seams simply disappeared. I couldn't see them, which led to me chosing a simpler finish on the long seams and missing some when installing the placket. I really like Scroop Patterns because of the instructions though, they are so so easy to follow and I know that even if something feels daunting I could just take a breath and follow the instructions step by step and I will end up with a nice end result.

The changes I made to this pattern was that shortened the skirt with 6 cm at the hem and I used slightly larger seam allowances on the waist belt. I made a size 42 and my belt ended up 92 cm instead of the 91,5 if I had made the pattern with the indicated seam allowances. 

Another thing that I changed was that I raised the pockets. Mostly to make them reachable for my arms, but it also had the bonus of covering my wonky sewing at the bottom of the placket. In order to mark the new placement for the pockets I simply cut out the pocket placement marking from the pattern and placed it on the skirt until I was happy with where it was, then I marked it on the skirt and sewed the pocket on.

I am wearing the skirt with a Wearing Historys combinations, the Rilla corset, the Ettie Petticoat, my own pattern of a corset cover and the Selina blouse. This combination of clothes really illustrates the changes my body has gone through the last few years. The Rilla from 2017 is size 44 and it is slightly too large now, I had to fully close it in the back and I could have cinched it some more if I could have. The Ettie is made in size 48 or 50, and in order for it to stay up I made a hole in the casing for the elastic and then shortened the elastic quite a lot. This large Ettie was maybe a bit too large to get all the fabric properly under the skirt, it felt a bit bulky, especially since it is starched. The Selina is a size 46 and it definitely feels too big now. The hat is a summer straw hat from H&M that I've simply added a giant bow and some feathers to.

The pattern is now launched at Scroop Patterns and it also comes with a modernised version, the Tara skirt and pinafore. I was so happy with the Seatoun that I have already bought fabric so that I can make the Tara versions to use as everyday wear.

A 1520s master miner/burgher couple

 Since I first started to make 16th century clothing I have wanted to make clothes that could have been worn by the master miners in Falun. Master miners were part owners of the mine and owned their own smelting furnaces where they produced copper, they then sold it. There was a wide variety of economical rank and they can be compared to landed gentry, with some being very rich and some just scraping buy. Over all they can be compared in wealth to the burghers of the towns around the Baltic sea.

My impression of a master miner's daughter back in 2018

When David entered my life I started out with making him a coat, but then we have concentrated more on the landsknecht style, not the least because he really wanted a landsknecht outfit and I mostly do events with the landsknecht group Stockholmsfänikan. 

Anyway this weekend Stockholmsfänikan and Proknekt had a party, and even if it was landsknecht themed, we decided to go as master miners, also because it's October and David didn't want to wear shorts and I felt that I for once could wear my longsleeved green gown without dying from the heat. Also for once I was not cooking so I could wear my blackwork cap and a white apron without risk of putting stains or scorch marks from the fire on them.

I have made a new best apron, that is white and with both whitework and blackwork and I wore my blackwork cap and black furline partlet. For David I had made a new pair of long hose, and instead of his usual blingy hat he got to borrow my red and more simple hat. A good reason to have accessories that you can mix up, and his headsize is the same as mine when I'm wearing a wulsthaube so that works out really well. He is also wearing the hairnet that I am wearing in the top photo from 2018, once again accessories are so good for changing up your costume.

The hose are mainly machine sewed from a quite small piece of wool. I used the pattern for the landknecht shorts but simply lengthened it. I am glad that my husband is fairly short, and still the hose legs just reaches his ankles. I will see if I can piece together the scraps that are left to make them go down a bit over the foot, even if there isn't enough fabric to make them footed hose. I have alsoe piecred the fabric up under the bum and the codpiece and flag that its attached to to make it work. They are held up by being connected to a sleevless doublet, I might add sleeves to it in the future but it is quite comfy to have just the west under the coat. It's up to him to fix a pair of proper shoes though, that isn't something I can make for him. 

A fun and different Star Wars troop

 This year the Swedish garrison was invited to Gothenburg Book Fair, which is northern Europe's largest book fair and a huge cultural event. The theme for this year was "space", so we were invited to hang around and spread some space fun, especially in the area designated for children's literature and the like. 

We had a small booth but most of it was mingling around with visitors, and unlike a comic con and other kinds of science fiction convention I thought this was even more fun, because the visitors were really surprised and it was something fresh, unlike when people are more or less expecting us to be around and show off our costumes.

Since Gothenburg means a long journey by train I wanted to pack light, so I brought admiral Daala. Here I am in the Elsa Beskow diorama, Elsa Beskow is a classic 19th century children's author where the images are as important as the text in a way I guess she can be compared to Beatrix Potter.

What really made me travel though was the fact that my husband, who is an author after all, were there as well, so it was the first fair/convention we could be together. Well I trooped with the garrison, but when my troop duty was over I could change clothes and be with my husband and our other friends who are in working with literature in different ways.

Scroop patterns summit dress

 I rarely make clothes for everyday wear. I simply think that my finishes aren't good enough. But when Scroop patterns released the "Summit dress" I felt that this was a pattern that I really wanted to make.

With my changing body after my gastric bypass last year I need some new clothes. I wanted a new autumn/winter dress. I have also wanted a dress that is  nice and neutral, but gives an air of historical fashion when doing lectures. The pattern is based ont he 14th century Herjolfsnes finds, but with modern construction methods and an option between modern lantern sleeves and historical sleeves, and different skirt lengths. I have made a simple medieval gown by measuring and cutting rectangular and godet pieces, with this pattern I also got a medieval pattern that I can use if I want to make another one, I only need to replace the machine sewing with handsewing and lengthen the 3/4 length historical sleeves.

The basic pattern is a very loose fitting dress. The size chart contains both your body measurements and the measurement sof the finished garments. I was exactly on the size 44, but having seen the tester makes I went down a full size to 42, and it is still very loose. I could probably have gone down another size on the main gown, but then the arms would have been on the small side. If I make this as an historical pattern one day I will probably go down to 40.

With the original pattern there were two things I wanted to change and that was the length and the sleeves. To shorten the dress I used the view B length, but I also shortened it 8 cm by the "shorten/lengthen" line on the lower part of the pattern. I didn't just cut off everything at the hem since I wanted the full width at the bottom. The sleeves, both the historical and lantern version, are 3/4 length, and since I wanted to use this in the autumn/winter I wanted to have full length sleeves. The lantern sleeves would make it hard to wear a cardigan or something over them to keep warm.

I made a quick pattern for where the bottom part is the length of the sleeve opening on piece K - lower sleeve, the lenght is the length of my forearm and the width at the top is width around my wrist. In a spur of th moment I added the point at the end of the sleeve. I added a facing in the same fabric instead of hemming it, to keep the nice point, and then sewed my pattern piece to piece K before sewing pieces J and K together as the pattern called for. 

The finished sleeves

The pattern for the bottom of the sleeve

The sleeve right side out

The sleeve wrong side out, with the facing

The sleeve is just enough wide at the wrist that I can get my hand through, so I don't need any closures there.

I definitely prefer to wear the dress belted, and that also gives some oppportunities to give some pop of colour to this rather plain dress. I usually wear a lot more colours and patterns in my everyway wear, this dress I can match with different belts and thights to keep it fun.

The dress is made up of a wonderful wool/viscose blend that I found at a real bargain online, so in the end the dress cost around $35. The patterns instructions were easy and good to follow, the mistakes that I made were totally up to me being sloppy. The one advice I would give for anyone making the dress is to switch the order and insert the back godet before the front godet. That was the most fiddly part of the pattern and my back godet went in better than the front, since it was the second one I made.

If you are curious about the pattern Leimomi/the Dreamstress and creator of Scroop patterns has one post about the pattern and two full posts about tester makes, here and here. 

And for full disclosure I have been a pattern tester for Scroop patterns and it is probably my favorite pattern makers out there, I bought this pattern with a discount code that I got from answering a customer survey earlier in the summer. This was the first time I made something from its range of modern patterns rather than historical patterns.

Learning whitework embroidery

 After coming home from Visby I have been a bit both worn out from sewing, and restless from not having something to do. All the work I put in with making David's landsknecht meant that I got used to sewing a couple of hours every day, at the same time I don't know what to do right now. I don't need any historical clothing, and also don't have the inspiration to make something that I will just put in my storage, and I don't have a huge inspiration for a cosplay project either. I have made some progress with my female tusken, but when it was clear that I am going to miss the remaining conventions in the autumn I don't feel like putting on some extra drive into it.

So I decided to learn how to do whitework embroidery, and started with drawn work. Now I am not a person to make a sample, I am too impatient and wanted to make something I could use. Since I don't have a fine, white 16th century apron I decided to take the apron that I whipped together last year, but didn't have time to do anything with and add embroidery to it.

I started with drawing away threads, and this was the most fiddly bit.

Now I am unto separating bars of the remaining thread and this is slow, but fairly simple work. Quite nice to do while watching tv.

As for whitework and the 16th century there are definitely examples of white on white embroidery from the early 16th century. From the end of the century there are loads of wonderful, lacy aprons and other examples of drawn threadwork, white on white embroidery and pulled threadwork. I don't want to go for the late century though. The Sture-shirts have drawn thread work on them, and they are from the 1560s. It might be that the simply style was just coming into fashion then.

This drawing of Dürer from 1475 shows a faint line on the edge of the apron. It's impossible to say what kind of decoration it is, but at least a line of embroidery shouldn't be too out of place for the early 16th century judging from this. 

To help me learn the teqhnique I am using some of the books I have at home, but I am also very happy for the Royal School of Needlework's stitchbank with their clear instructions and images.

laundry day

 After the summer it is time for a big costuming laundry day. That means washing a lot of historical costumes and prewashing the fabrics that I have bought during the summer. In my apartment building with have a laundry room in the basement, and the best thing is the room for drying clothes, with an electric fan and heater.

kirtle, shift, wams/doublet and several meters of fabrics in the drying room

The shirts, shift, aprons and everything that is done in linen, cotton and hemp goes in the washing machine. That includes my blackwork shift. It is so old now that I don't consider it a "fine" shirt anymore. I wash them on a regular setting, but I hang them to dry instead of going into the tumbler. My experience is that the linen only gets softer with every wash. For my large apron, that had quite a few soot stains after cooking in Visby, I first sprayed it the stains with stain remover and that worked fine. The same goes for my wulsthaube that takes up red dye from my hair. For the wulsthaube I remove the wulst before washing, it is only tacked on in a few places, so I can simply wash the cap part of it.

Wool clothes are best taken care of by simply airing them. I live in an apartment without balcony though. I used to bring them home to my mother and hand them in her garden, but she is getting old and her short time memory is lapsing. That means that I am still missing some of my linen stuff from last year's airing that I had in her garden, I am pretty sure that some time in the future I will find them among her handkerchiefs or bedlinen, so I don't dare to do it any more. After shorter events I leave the clothes hanging in my living room, but now after the summer and a long event where I've been sweating and standing in smoke it is time to clean them. I simply use the wool setting on the washing machine together with a wool/silk detergent. I also only wash one item at the time. So far I have not had anything happen to the clothes.

For David's landsknecht outfit I was worried, the red fabric was bleeding a lot. His shirt that he had worn under it when it was raining had a lot of pink stains. That shirt was his cheap cotton shirt and it worked fine with stain remover and then a wash in the washing machine on the cotton setting. I was worried that the red would bleed and stain the pink part though. I did an experiment where I started with his socks, since one is red and one is pink. I threw them in the washing machine together with colour cather paper. 

When the socks came out fine, except for a slight stain on the heel, I decided to try the hose. For the hose I put stain remover on the pink stains on the lining and then I added three colour catcher papers to the wasching machine. I also removed all the loose ribbons and ties. When that worked fine I dared to do the same with the doublet/wams as well, adding four colour catcher papers.

The colour catcher paper after the doublet/wams washing

I was happy that I could wash the landsknecht outfit, and that means that I will probably do it at least once a year, after single day events I am happy with just airing the clothes. A reason why I dare use the washing machine is also that I have prewashed all fabrics, and if they survive the prewash they should survive washing as well. So during this washing day I also washed the wool that I bought at Medeltidsveckan and the fabrics that I am going to use for my female Tusken, so that they are ready to get some dye.

HSM24: stripes and dots - the landsknecht hose

The challenges: August: Stripes and Dots: Make something using striped or dotted material. The stripes or dots can be printed on the material, knitted/woven in to the material, or created with surface embellishment (ex: embroidery). Textural stripes or dots (i.e: those that are the same colour as the base fabric) are permitted!

For this challenge I will share the finished landsknecht hose that I made. The hose are not checkered since the pattern is elongated to form stripes of alternating red and pink. I made the stripes with alternating pieces of red and wool that were sewn together, and then the pattern for the hose were put on the new striped fabric. I have posted about the construction here: part 1 and part 2.

What the item is: a pair of landsknecht hose
How it fits the challenge: They are made from stripes of red and pink sewn together
Material: 1,5 m red wool, 1,5 m pink wool, 0,5 linen for lining
Pattern: my own with inspiration from the Alpirsbach hose
Year: 1520s
Notions: linen thread and silk ribbons to tie everything together
How historically accurate is it? 60%
Hours to complete: 1,5 months
First worn: at medieval week in Visby
Total cost: $150