HSM24 challenge 2 - a quilted petticoat

 There is something with the month of December and my creativity. I always end up making projects that I didn't have any plans for and yet I most say some of them also give me the greatest joy because there aren't months or weeks of planning and choices behind them, they are more of "make it work"-projects.

This week was no different. We finally got some decent winter weather with temperatures well below freezing. I talked to a colleague about that I should get myself modern insulated overskirt, quite popular in the winter here. She said that a friend of her had gotten a nice one in wool, and not the regular puffy versions. Well that got me thinking...

And the February HSM challenge is Seasons of Fashion: Make something designed for a specific season, whether that be a meteorological season (ex: winter or summer, or the dry/rainy season) or a cultural season (ex: Carnival, the London social ‘Season’)

I have always dreamt of a beautiful matelasse and embroidered 18th century petticoat. I haven't had the time or energy to make it myself, and the perfect quilted bedcover that I know is out there, has so far eluded me.

The dream

Looking around at digitaltmuseum.se, which holds digital collection from a lot of museums in Sweden including Nordiska Museet, I found quite a few examples of more simple quilted petticoats, called "stubb" in Swedish. Many of them are later, second half of the 19the century or early 20th century, and they are usually quite worn as well, obviously made from pieces that have been patched together.

Petticoat from my hometown of Falun
photo: Dalarnas museum

A common thing between them semmed to be that they are not quilted all the way to the top of the skirt, and some have a nice decorative binding at the lower part of the skirt. 

I decided to make one, I would use the 18th century style, with openings in the sides and tied together with ribbons, but I would do it more in style of the later skits and quilt rather than embroider the fabric. I also really liked the binding at the bottom.

Then it was time to rumble in my stash, and I immediately knew that I wanted to use a quite stiff green wool fabric that I have, since I don't consider it suitable for historical projects, both the stiffness and the colour is off. For the quilting I used an old cover for an ironing board and since that wasn't very wide I also added a fleece blanket for the wadding. On top of that was an old Christmas curtain from my mother-in-law

I definitely left the historical materials for the inside, but again this was what I had at home. I quilted the pieces together with the machine, and then it turned out that the curtain was really good. I didn't have to mark out the sewing lines but used the star pattern as guidelines. Still the wool fabric was a bit short, for a modern skirt it would have worked, but I wanted it to really go to at least half my calves. Time to rummage in the stash again, and now I decided to use a nice 18th century reproduction print that I bought more than a decade ago. I figured that if I really just cut out fairly narrow strips I would still have enough of the fabric to be able to make a nice jacket out of the fabric one day. I used a strip of fabric to the top, and bond the lower edge with the same fabric. I then knife pleated the top, which of course was easier since it was the cotton and not the thick wool, into a lining of the same wool as the main skirt. Finally I added ribbons to the side so that I can tie the skirt around the waist.

The finished skirt, which is an 18th century petticoat, but back in those days it would probably not have had extra strips of the expensive cotton. As a bonus it will work as a petticoat for folk fashion throughout the 19th century, and I am planning on using it on cold winter days as well with my modern clothes. I was really wondering if I would put this as challenge 2 or challenge 7, which is "always in style"

Me wearing the petticoat under a regular 18th century skirt. I loved how puffy and big the skirt got with it.

What the item is: a quilted petticoat
How it fits the challenge: It is a quilted petticoat to keep warm during the winter
Material: 1,8 m of green wool, 0,5 printed cotton for the outer, a lining of 0,7 m cotton felt and wadding.
Pattern: My own, but basically I just cut fabric in strips and pleated to the lining.
Year: 18th century
Notions: sewing thread
How historically accurate is it? The style is historical, but modern construction and on the inside it's all modern mateials so I would say 30%
Hours to complete: 5
First worn: As a petticoat on December 8th for a Christmas fair.
Total cost: stash project, but probably around $60 if bought new

The Tara skirt with and without pinafore

Earlier I pattern tested the Seatoun skirt from Scroop patterns, but to be honest I was even more excited about the modern skirts, the Tara skirt, and especially the Tara skirt with pinafore. I loved my corduroy pinafore skirt that has now become way too large, so it was time for a new one.

I started with the Tara skirt without the pinafore though, since I figured that would be the easiest pattern and I could learn how to make it before making the more complicated version.

For the fabric I used a silk noil from Gårda textil in a pink check pattern. I made it in size 42, which worked both for the Seatoun and my Summit dress, so I guess for Scroop patterns I am a straight 42. The pattern gives an option for flatfelled and french seams, and for this one I used the flatfelled seams. I think they are a bit tricky, and I wasn't able to totally catch the folded fabric in the second seam, especially on the curved seams. 

I made two alterations to the pattern. One was that instead of the narrow turned hem in the pattern I used a hemfacing, following the instructions from the Seatoun skirt. I also raised the pockets. I did that by copying the pocket placement lines from the skirt pattern piece and making a pattern template from it that I then pinned to the skirts and drew new pocket placement lines from. This is also when I realised that I am lopsided, no matter how much I measured the pockets didn't end up level, so in the end I had to use my eye measurement to get them level. 

The pockets are bagging out, which is a feature, and sometimes when sitting down there is a bit of risk of things falling out of them. I also realized that my hips are a bigger size, so it's a bit of a squeeze to get the size 42 waist over them when I get dressed, and in fact I could probably take the waist in a bit but then I wouldn't get the skirt up.

Then it was time to to the Tara with pinafore option, At first I had planned to make the other version of pockets, but I read that one of the pattern testers couldn't fit a phone in them, and I want nice big pockets at work. This fabric was also a silk noil from Gårda textil, but this was stiffer and heavier, it also frayed like crazy. I love how the stiffer fabric holds out the skirt, but it was problematic to work the waistband with this fabric compared to the pink fabric in the other skirt. I cut out the B length instead of the fuller length version and when it was time for the pockets I moved them more to the front and sewed them on flat against the fabric instead of having them bag out like in the pattern, and what I did with the pink skirt. 

For this skirt I used french seams, also a chance to get a bit of variation, and I think the french seams worked the best. Since this fabric was fraying so badly it would not have worked with any other seam. The only thing I changed there was to use a 2 cm seam allowance rather than the 1,5 in the pattern.

If I make another version of this skirt there are some things I would change with the pinafore. I would have liked to have the straps a tiny bit wider, which shouldn't be hard to do by just increasing the width of them. I would also make the pleats on the bottom a bit deeper and add two pleats at the top, to make the pinafore sit more smoothly. This isn't a criticism of the pattern, but simply a fact that we are shaped differently and I could get the fit even more snug with some small changes.. Also when it was time to fasten the straps there are no real directions on how long they should be. I tried them on and sewed them on, but now after having used the skirt for a couple of days I think that I could have made them a few cm shorter. I might take them in a bit, on the other hand it's easy to get in and out of the pinafore when they are bit on the loose side.

Here is my triple of Scroop skirts with the Seatoun, Tara, and Tara with pinafore. This is a straight forward and fairly fast pattern. After I had cut out the Tara pattern pieces it took me two evenings to make the skirt without the pinafore and three evenings to make the pinafore version. I could probably have done both of them in one evening less, but I didn't feel the need to push and stay up late when I didn't have a deadline. Also it didn't help that I did some stupid mistakes and had to unpick the waistband twice on the blue version, and the pockets on the pink skirt also had to be unpicked and resewn on. 

HSM 2024: Challenge 12: The white work apron

 Going through the list of HSM challenges for 2024 I realised that I have project that I haven't posted about, and that would fit with the final challenge "That's a wrap".

December: That’s a Wrap: Make an accessory or garment that is worn by wrapping it around the body.

In september I started to learn whitework embroidery by working on a an old linen apron. I finished the apron in October, just in time for the 16th century party that me and my husband attended. Since it is an apron I wear it by wrapping it around me and tying it in the back, so that's a fit for the challenge.

I also realised that I didn't take any photos of just the apron, or just me, and now I've packed it away for the winter. Anyway you can see the line of whitewok in the botom of the apron.

The Challenge: December "It's a wrap"
Material: An old linen apron
Pattern: My own, I very much used the instructions from the Royal School of Needlework stitchbank
Year: 1520s
Notions: Linen thread, was
How historically accurate is it? Around 95% (all period materials and stitches, I'm just not sure that they were ever combined in this way)
Hours to complete: a month of having the embroidery at hand while watching tv.
First worn: A 16th century party in October
Total cost: This was a pure stashproject and made from a repurposed older apron.