Learning whitework embroidery

 After coming home from Visby I have been a bit both worn out from sewing, and restless from not having something to do. All the work I put in with making David's landsknecht meant that I got used to sewing a couple of hours every day, at the same time I don't know what to do right now. I don't need any historical clothing, and also don't have the inspiration to make something that I will just put in my storage, and I don't have a huge inspiration for a cosplay project either. I have made some progress with my female tusken, but when it was clear that I am going to miss the remaining conventions in the autumn I don't feel like putting on some extra drive into it.

So I decided to learn how to do whitework embroidery, and started with drawn work. Now I am not a person to make a sample, I am too impatient and wanted to make something I could use. Since I don't have a fine, white 16th century apron I decided to take the apron that I whipped together last year, but didn't have time to do anything with and add embroidery to it.

I started with drawing away threads, and this was the most fiddly bit.

Now I am unto separating bars of the remaining thread and this is slow, but fairly simple work. Quite nice to do while watching tv.

As for whitework and the 16th century there are definitely examples of white on white embroidery from the early 16th century. From the end of the century there are loads of wonderful, lacy aprons and other examples of drawn threadwork, white on white embroidery and pulled threadwork. I don't want to go for the late century though. The Sture-shirts have drawn thread work on them, and they are from the 1560s. It might be that the simply style was just coming into fashion then.

This drawing of Dürer from 1475 shows a faint line on the edge of the apron. It's impossible to say what kind of decoration it is, but at least a line of embroidery shouldn't be too out of place for the early 16th century judging from this. 

To help me learn the teqhnique I am using some of the books I have at home, but I am also very happy for the Royal School of Needlework's stitchbank with their clear instructions and images.